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Sunday, September 30, 2007
To AutumnSeason of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o'er-brimm'd their clammy cells.
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
Drows'd with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.
Where are the songs of spring? Ay, where are they?
Where are the songs of spring? Ay, where are they?
Think not of them, thou hast thy music too,
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breat whistles from a garden-croft;
And gathering swallows twitter in the skies.
Friday, September 28, 2007
MILEVA AJNŠTAJN U SENCI GENIJAPred tajnom svemira
Piše: Vojislava Latković (Vecernje novosti)
Očeva nova služba dovodi Milevu u Zagreb 1892. godine, gde pohađa kao privatni đak Kraljevsku veliku gimnaziju. Škola je primala muškarce, pa je Mileva zatražila i dobila dozvolu da prisustvuje časovima fizike sa svojim drugovima. Ocene iz matematike i fizike su joj, kao i uvek, odlične. Sposobna i uporna, sa primernim vladanjem, imala je svuda pristup, te je zadobila poverenje i poštovanje školskih drugova i profesora. Bila je potpuno predana nauci. Težila je da odgonetne misteriju života i smrti, a posebno je zainteresovao fenomen univerzuma. Da li smo sami u svemiru? Kuda se i kojom brzinom svetlost kreće? - pitala se, razmišljala i verovala da se mnoge nepoznanice mogu izračunati matematičkim putem. Posle treba da se precizno eksperimentiše. To bi bili dokazi - potvrde naučnih pretpostavki, mnogih teorija - govorila je profesorima.Roditelji kćerku šalju u Švajcarsku da bi pohađala IV seminarski razred Više devojačke škole u Cirihu. Posle toga odlazi za Bern, gde je u Saveznoj medicinskoj školi položila maturu sa odličnim uspehom. Na kraju srednjeg obrazovanja, odlučuje da upiše fiziku i matematku na Fakultetu prirodnih nauka. Prijemni ispit je bio težak i ona je bila jedina i prva žena koja je uspela da ga položi i da dobije, uz mnogo poteškoća, indeks na Politehnikumu u gradu Cirihu.Fiziku joj je predavao profesor dr Hajnrih Fridrih Veber. Tu su spadale razne oblasti: zakoni, aparati i metode merenja u elektrotehnici, naučni radovi u fizikalnim laboratorijama, naizmenične struje i druge grane fizike.
Mileva se naročito zanimala za oblasti nebeske fizike, astronomije i nebeske mehanike - kod profesora dr Alfreda Volfera. Rado je proučavala i čitala Kantovu filozofiju i Štadlerovu teoriju naučnog mišljenja. Našla se, kao jedina studentkinja ciriškog Politehnikuma - rame uz rame sa Marselom Grosmanom iz Budimpešte, Jakobom Eratom iz Šafhauzena, Albertom Ajnštajnom rodom iz Ulma i mnogim drugim na grupi kod uvaženog profesora Fridriha Vebera. Strah i trepet za studente, nije želeo da ima ženske kandidate. Ubeđivao je Milevu da pređe na neku lakšu grupu prirodnih nauka koja bi bila srodna ovoj. Ali, uzalud, ova mlada srpska devojka bila je uporna.Kolege joj ukazuju pažnju, imaju respekta više zbog njenog umeća nego zbog toga što je bila najstarija među njima. Već se upadljivo izdvajala u radu na proračunima. Njeni rezultati su uvek brzi i tačni.
Mileva se naročito zanimala za oblasti nebeske fizike, astronomije i nebeske mehanike - kod profesora dr Alfreda Volfera. Rado je proučavala i čitala Kantovu filozofiju i Štadlerovu teoriju naučnog mišljenja. Našla se, kao jedina studentkinja ciriškog Politehnikuma - rame uz rame sa Marselom Grosmanom iz Budimpešte, Jakobom Eratom iz Šafhauzena, Albertom Ajnštajnom rodom iz Ulma i mnogim drugim na grupi kod uvaženog profesora Fridriha Vebera. Strah i trepet za studente, nije želeo da ima ženske kandidate. Ubeđivao je Milevu da pređe na neku lakšu grupu prirodnih nauka koja bi bila srodna ovoj. Ali, uzalud, ova mlada srpska devojka bila je uporna.Kolege joj ukazuju pažnju, imaju respekta više zbog njenog umeća nego zbog toga što je bila najstarija među njima. Već se upadljivo izdvajala u radu na proračunima. Njeni rezultati su uvek brzi i tačni.
Najmlađi student na grupi, Albert Ajnštajn, primeti to i priđe joj kako bi je malo bolje upoznao. Osetio je poštovanje, ali i čudnu radoznalost. Otvoreno joj reče: "Vi, koleginice, sve sa lakoćom rešavate, kao od šale... Meni ne ide baš najbolje. Nisam uvek dovoljno pažljiv i strpljiv. Kako vi uspevate? Dobro, znam... mora da se dosta trudite..."
Thursday, September 27, 2007
Wednesday, September 26, 2007
Pozdrav vernim maskulin blogicima koji me `brauzuju i dounlouduju ` svako jutro i par puta u toku dana :)Vasa, I
Helmut Newton, born Helmut Neustädter (1920, Berlin, Germany – 2004, California, USA) was a German-Australian fashion photographer noted for his nude studies of women.
In many ways Helmut mocks the fashion industry as he strengthens it. He blatantly exposes a side of it that is difficult to detect or absent in other fashion photography. Take for example one of his better known works 'Sie kommen!' ('Here They Come!'), which copies are sold for more than $55,000. It is a two part image, one image depicts the models clothed and the other they are in the exact same position, but nude. In a strange way the nude depiction lacks much of the sexuality you'd expect, due to aggressive posturing. Their nudity has become dress, they are in essence fashion warriors. They say, 'Look, but don't touch. Look, we are coming... but not for you.' They send the message, as with fashion, 'Look and die with desire.' While this may not be the desire of the beholder, it is definitely that of the fashion wearer.
As with many of his photos,Helmut exposes the discomfort women endure to be alluring. The dark side of fashion, depicted in 'Pension Dorian', shows model Jenny Kapitan in a leg cast and neck brace. "That was a real cast! I had twisted my knee dancing rock-and-roll and when I appeared, abashed, before Helmut for the shooting, he said: 'That fits me perfectly, I've been doing all these pictures with braces.'" He was attracted to her injury, her deficiency. The two casts, the cane by means of which she stands - they are signifiers of her pain. But notice how straight she stands, how she thrusts her hips forward and holds her head aloft. It is a poignant image, delivered in the codes of sexuality, but also that of the cure. She is in a vulnerable state, which triggers a basic male instinct to respond. The cast and brace are worn as sexual fashion accessories; sex, the cure for death. Another side of this image reads, 'Style robs you of life, it is violent - even to others.'
Tuesday, September 25, 2007
Come 'ere baby
You know you drive me up the wall
The way you make good on all the nasty tricks you pull
Seems like we're makin' up more than we're makin' love
And it always seems you got somthin' on your mind other than me
Girl, you got to change your crazy ways
You hear me
Say you're leavin on a seven thirty train
And that you're headin' out to HollywoodGirl you been givin me the line so many times
It kinda gets like feelin bad looks good, yeah
That kinda lovin'Turns a man to a slave
That kinda lovin'
Sends a man right to his grave
I go crazy, crazy, baby, I go crazy
You turn it on
Then you're gone
Yeah you drive me, Crazy, crazy, crazy for you baby
What can I do, honeyI feel like the color blue
You're packin up your stuff and talkin like it's tough
And tryin to tell me that it's time to go, yeah
But I know you ain't wearin' nothin' underneath that overcoat
And it's all a show, yeahThat kinda lovin'Makes me wanna pull
Down the shade, yeahThat kinda lovin'Yeah, now I'm never never never never gonna be the sameI go crazy, crazy, baby, I go crazy
You turn it onThen you're goneYeah you drive me
Crazy, crazy, crazy for you baby What can I do, honeyI feel like the color blue
I'm losin my mind, girl'Cause I'm goin' crazyI need your love, honey yeah
I need your loveCrazy, crazy, crazy for you babyI'm losin my mind, girl'
Cause I'm goin' crazy
Crazy, crazy, crazy for you baby
You turn it on, then you're gone
Yeah you drive me
Ooh ooh ooh ooh...Ooh ooh ooh ooh...
...kupovati u nasim `skoro i novo` otvorenim radnjama trenutno jakih evropskih brendova. Nekako, imate utisak da posle i pre vas je mnogo njih kupilo istu kosulju ili torbu, sa prikrivenom nadom,od koje se i sami stide, da ce mozda nekim cudom ostatak, koji uredno stoji slozen i izlozen u radnji biti ili
1. vracen za BG
ili
2. kupljen subotom prepodne kada nam gradovi od Krusevca do Vranja stignu u centar.
Tako da....brzo odustajem i ja ili kupujem ono sto se nosi `po kuci` :)
U svakom slucaju, lepo je videti Mango, Women`s Secret, T. Nova, Benetton... bar kao sljastece reklame sa ne tako ljubaznim radnicama.
ps. znam da nije lepo sto kazem ali ipak bih volela da se subote u Knez Mihajlovoj vrate :)) Bilo nam je bas lepo, a jos lepse kad se vratimo ! Oprostite mi na iskrenosti :)
Monday, September 24, 2007
Britt Ekland (born 6 October 1942) is a Swedish actress, long resident in the United Kingdom. She is fluent in English, French, German and her native Swedish and is most famous for her role as a Bond Girl in The Man with the Golden Gun.
Sunday, September 23, 2007
Thursday, September 20, 2007
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